In the Old Turkish literature, mesnevi found a wide place in the field as a narrative genre and became an area where the literature of the period met with large masses of people. Undoubtedly, Turkish literature has unique works in the area of mesnevi, where classical Turkish literature moved away from the palace axis and spread to wide geographies. Among all the mesnevis, Leyla and Mecnun come to mind first. Although this mesnevi, which is a story encountered in almost every century, has been written by many poets, it is a known fact that it brought Fuzuli to mind at first. The present study deals with those other than “Leylâ ve Mecnûn”, the two main characters in the aforementioned mesnevi and approaches the mesnevi from a different perspective. In our study, the Mesnevi has been handled with the "ağyâr" axis. Although the depictions of minstrelsy and mashuk seem sufficient to understand love, it is necessary to thoroughly examine what is not love as well as what is love in order to understand it. For this reason, our study focuses on the points that we call "ağyâr", except for “âşık and maşuk” “ağyâr” means foreigners and will be included in our study as a basic element that covers all types and concepts except Leylâ and Mecnûn.